Tim has worked internationally as a stage designer for both set and costume.
His forthcoming and current designs include THE BRAILLE LEGACY a musical directed by Thom Southerland at the Charing Cross Theatre and RITA, SUE AND BOB TOO for Max Stafford-Clark and Out of Joint later this year. His most recent credits are THE LIBERTINE with Dominic Cooper at the Theatre Royal Haymarket and Theatre Royal Bath, two new musicals - MRS HENDERSON PRESENTS directed by Terry Johnson in the West End and currently playing in Toronto, JACKIE directed by Anna Lindstrum and choreographed by Arlene Phillips and A VIEW FROM ISLINGTON NORTH directed by Max Stafford-Clark at the Arts Theatre. Other most recent credits include Anthony Horowtiz's play DINNER WITH SADDAM directed by Lindsay Posner and FULLY COMMITTED with Kevin Bishop and at the Edinburgh Festival with Marcus Brigstock both at the Menier Chocolate Factory, SHOCK TREATMENT at The King's Head, the UK premiere of David Mamet's RACE and OLD MONEY with Maureen Lipman both directed by Terry Johnson at Hampstead and the inaugural production at the Park Theatre THESE SHINING LIVES directed by Loveday Ingram and for Max Stafford-Clark and Out of Joint, Richard Bean's PITCAIRN at Chichester Festival Theatre, Shakespeare's Globe and on a national tour, THIS MAY HURT A BIT at the St.James and on tour and OUR COUNTRY'S GOOD also at the St James, the Guthrie Theatre Minneapolis and in Toronto.
Tim's many other credits include the set for LA CAGE AUX FOLLES in the West End, on Broadway (where he received a Tony Nomination for Best Scenic Design) and on a major US tour, EDUCATING RITA directed by Tamara Harvey at the Menier Chocolate Factory, TOP GIRLS at Chichester Festival Theatre and the Trafalgar Studios, THE BIG FELLAH at the Lyric Hammersmith and in Dublin and A DISH OF TEA WITH DR JOHNSON at Edinburgh all for Max Stafford-Clark and Out of Joint, THE RELUCTANT DEBUTANTE with Jane Asher and the set for SWEET CHARITY at the Menier Chocolate Factory and Theatre Royal Haymarket.
Previous work includes THE PHILANTHROPIST with Matthew Broderick directed by David Grindley at the Roundabout Theatre in New York, Trevor Griffiths' epic play A NEW WORLD - A LIFE OF THOMAS PAINE directed by Dominic Dromgoole at Shakespeare's Globe, a national tour of the First World War play FOR KING AND COUNTRY and for Terry Johnson, the farce ROOKERY NOOK at the Menier Chocolate Factory.
In London he has designed AWAKE AND SING directed by Michael Attenborough (Almeida), KING OF HEARTS directed by Max Stafford-Clark and Ramin Gray (Hampstead), the political comedy WHIPPING IT UP with Robert Bathhurst and Richard Wilson directed by Terry Johnson (the Bush) and then by Tamara Harvey (New Ambassadors), THE OVERWHELMING for Max Stafford-Clark (Royal National Theatre and Roundabout Theatre, New York), SEE HOW THEY RUN directed by Douglas Hodge (Duchess) and HAUNTED directed by Paul Jepson (Arts), THE PHILANTHROPIST with Simon Russell Beale Donmar Warehouse) and EXCUSES (Soho Theatre) both directed by David Grindley, TELSTAR (New Ambassadors), ELTON JOHN'S GLASSES for Terry Johnson (Queen's), 900 ONEONTA (Old Vic and Ambassadors), BODY AND SOUL (Albery), MURDER BY MISADVENTURE (Vaudeville and Whitehall), TWILIGHT OF THE GODS directed by Polly James and TWO BOYS IN A BED (both at the Arts), A COOK'S TOUR (Shaftesbury), DISAPPEARED directed by Phyllis Nagy (Royal Court Upstairs - also Leicester Haymarket and Traverse, Edinburgh), EUGENE ONEGIN (Lyric Hammersmith), THE AMEN CORNER (Tricycle and Nottingham Playhouse), the costumes for THE BIG KNIFE directed by Robing Lefevre and SINGULAR WOMEN directed by Lawrence Till (King's Head).
Extensive earlier work includes DEAD FUNNY directed by Loveday Ingram (Chichester Festival Theatre), SINGLE SPIES (Theatre Royal Bath) and HAVING A BALL (Birmingham Rep and tour), three productions for Rupert Goold - PRIVATES OF PARADE (Stoke), THE COLONEL BIRD (The Gate, Notting Hill) and BROKEN GLASS (Palace, Watford and Salisbury Playhouse) - DOUBLE CROSS and THE MARQUISE both directed by Guy Retallack, MARTHA, JOSIE AND THE CHINESE ELVIS, THE CIRCLE for Mark Rosenblatt (Oxford Stage Company), WHAT YOU GET AND WHAT YOU EXPECT directed by Thierry Harcourt (Lyric, Hammersmith), WHO'S AFRAID OF VIRGINIA WOOLF (Yvonne Arnaud, Guildford), THE SIGNALMAN and THE PIT AND THE PENDULUM (both Theatre Royal, Windsor), ROOTS (Oxford Stage Company and Palace Watford, nominated for Barclays TMA Best Design Awards 1998), JEFFREY directed by Tim Luscombe (Greenwich), national tours of RELATIVELY SPEAKING directed by Robin Herford, THE IMPORTANCE OF BEING EARNEST, THE DECORATOR, CANDIDA, A MOMENT OF WEAKNESS and HOW THE OTHER HALF LOVES, GOODBYE TO THE HILL (Liverpool) and THE TAMING OF THE SHREW, RICHARDS lll and KING LEAR - all three for the Ludlow Festival. Tim has also been Head of Design at the Thorndike Theatre, Leatherhead where he designed over twenty-five productions.
Tim's work for television includes 20th CENTURY BLUES: A TRIBUTE TO NOEL COWARD with Robbie Williams and Elton John for the BBC, and THE NIGHTINGALE for NOS Dutch TV which was the Netherland's entry in the Prix Italia and for which he won the RAI Prize. HE has also designed for ballet where, amongst his credits, are PRIVATE CITY/TRACK AND FIELD for Susan Crow (Sadler's Wells Royal Ballet), SONATA IN TIME for Michael Corder (Scottish Ballet), RHYME NOR REASON and PARTY GAME (Norwegian National Ballet), THE NIGHTINGALE for Agnes Roboz (Dutch National Ballet) and UNCERTAIN STEPS for Graham Lustig (Introdans Holland and Ontario Ballet Theatre).
For a look at a selection of Tim's designs visit www.timshortall.com